Esquina Las Flores - Campeche

3.6/5 based on 8 reviews

Contact Esquina Las Flores

Address :

24010, C. 39-A 57, Barrio de San Francisco, Campeche, Camp., Mexico

Categories :
City : Camp.

24010, C. 39-A 57, Barrio de San Francisco, Campeche, Camp., Mexico
P
Pedro Gamboa on Google

Rica, pero ya tardan mucho en atender
Rich, but they already take a long time to attend
M
Marcos Rguez Rodriguez on Google

Dña guty
Mrs. Guty
N
Nicolas Martinez Ortiz on Google

Una de las tradiciones que se encuentra en los barrios de esta ciudad capital
One of the traditions found in the neighborhoods of this capital city
J
JuanPA0820 on Google

Está bien cuidada y ubicada
It is well maintained and located
O
Obed Pool Noh on Google

Hace tiempo era una tienda, ahora un domicilio particular, se encuentra dentro de las esquinas más reconocidas de la ciudad.
Long ago it was a store, now a private address, it is located within the most recognized corners of the city.
V
Víctor M. Lavalle F. on Google

Ubicada en el tradicional barrio bravo de San Francisco, esta esquina alberga muchos pasajes de la vida colonial en la ciudad.
Located in the traditional rough neighborhood of San Francisco, this corner houses many passages of colonial life in the city.
A
Antonio Quijano on Google

No es un lugar relevante, en cuanto que halla pasado algo, sin embargo se encuentra dentro de uno de los barrios antiguos de Campeche y las casas poseen una arquitectura francesa, eso es lo bello de los barrios antiguos, y en particular de la esquina de las flores.
It is not a relevant place, as long as something has happened, however it is located within one of the old neighborhoods of Campeche and the houses have French architecture, that is the beauty of the old neighborhoods, and in particular the corner of flowers.
A
Alberto Gomez Sanchez on Google

Las Meninas, as the painting is known since the 19th century, or The Family of Felipe IV as described in the inventory of 1734, is considered the masterpiece of the Spanish gold century painter Diego Velázquez. Finished in 1656 according to Antonio Palomino, date unanimously accepted by the critic, corresponds to the last stylistic period of the artist, that of full maturity. It is a painting made in oil on a canvas of large dimensions formed by three bands of cloth stitched vertically, where the figures located in the foreground are represented at life size. It is one of the most analyzed and commented paintings in the world of art. Although it was described in some detail by Antonio Palomino and elogiosomente mentioned by some artists and travelers who had the opportunity to see it in the palace, there was no physical competition until 1819, when the opening of the Museo del Prado could be copied and contemplated by a wider audience . Since then, various interpretations of him have been presented, synthesized by Jonathan Brown in three main streams. The realist, chronologically the first, defended by Stirling-Maxwell and Carl Justi, put the accent on the fidelity of the "captured moment" with which the painter anticipated the realism of photography, assessing with Édouard Manet and Aureliano de Beruete the means technical employees. The publication in 1925 of the article dedicated to The Library of Velázquez by Sánchez Cantón, with the inventory of the library that Velázquez possessed, opened the way to new interpretations of historical-empirical character based on the recognition of the painter's literary and scientific interests. The presence in the book library of books such as the Alciatos Emblems or the Iconology of Cesare Ripa stimulated the search for varied hidden meanings and symbolic contents in Las Meninas. The last interpretative current, of a philosophical nature, was born with Michel Foucault and poststructuralism. Foucault discarded the iconography and its significance, and dispensed with historical data to explain this work as a structure of knowledge in which the viewer becomes part of its representation. Naples, Malta and Sicily between 1593 and 1610. It is considered as the first great exponent of Baroque painting. Caravaggio was born in Milan, where his father, Fermo Merisi, works as administrator and architect decorator of the Marquis of Caravaggio, a city from which he later takes his name. His mother Lucia Aratori came from a wealthy family from the same place.

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