Parquesito Kala - 24085 Campeche

ESTA DE LO PEOR SALUDOS A ROSA MELGORRO

Es lugar agradable para convivir con amigos

Muy divertido. Pero es dificil de encontrar.....!

Me encanta sobre todo en las mañanas diario voy ahí solo k hace falta botes de basura más grandes

Pequeño y algo escondido, pero acogedor y bueno para relajarse y divertirse un rato

Buen lugar para estar aunque un poco lejos lo que causa que este un poco solitario, a comparación de diversos parques esta un poco descuidado, siendo un lugar un poco de mala pinta, pero si lo quieres es pasear quizá sea una buena opción.

nice

Las Meninas, as the painting is known since the 19th century, or The Family of Felipe IV as described in the inventory of 1734, is considered the masterpiece of the Spanish gold century painter Diego Velázquez. Finished in 1656 according to Antonio Palomino, date unanimously accepted by the critic, corresponds to the last stylistic period of the artist, that of full maturity. It is a painting made in oil on a canvas of large dimensions formed by three bands of cloth stitched vertically, where the figures located in the foreground are represented at life size. It is one of the most analyzed and commented paintings in the world of art. Although it was described in some detail by A and elogiosomente mentioned by some artists and travelers who had the opportunity to see it in the palace, there was no physical competition until 1819, when the opening of the Museo del Prado could be copied and contemplated by a wider audience . Since then, various interpretations of him have been presented, synthesized by Jonathan Brown in three main streams. The realist, chronologically the first, defended by Stirling-Maxwell and Carl Justi, put the accent on the fidelity of the "captured moment" with which the painter anticipated the realism of photography, assessing with Édouard Manet and Aureliano de Beruete the means technical employees. The publication in 1925 of the article dedicated to The Library of Velázquez by Sánchez Cantón, with the inventory of the library that Velázquez possessed, opened the way to new interpretations of historical-empirical character based on the recognition of the painter's literary and scientific interests. The presence in the book library of books such as the Alciatos Emblems or the Iconology of Cesare Ripa stimulated the search for varied hidden meanings and symbolic contents in Las Meninas. The last interpretative current, of a philosophical nature, was born with Michel Foucault and poststructuralism. Foucault discarded the iconography and its significance, and dispensed with historical data to explain this work as a structure of knowledge durieell in which the viewer the masterpiece of the Spanish gold century painter Diego Velázquez. Finished in 1656 according to Antonio Palomino, date unanimously accepted by the critic, corresponds to the last stylistic period of the artist, that of full maturity. It is a painting made in oil on a canvas of large dimensions formed by three bands of cloth stitched vertically, where the figures located in the foreground are represented at life size. It is one of the most analyzed and commented paintings in the world of art. Although it was described in some detail by Antonio Palomino and elogiosomente mentioned by some artists and travelers who had the opportunity to see it in the palace, there was no physical competition until 1819, when the pizza durieell opening of the Museo del Prado could be copied and contemplated by a wider audience . Since then, various interpretations of him have been presented, synthesized by Jonathan Brown in three main streams. The realist, chronologically the first, defended by Stirling-Maxwell and Carl Justi, put the accent on the fidelity of the "captured moment" with which the painter pizzeria durieell campeche anticipated the realism of photography, assessing with Édouard Manet and Aureliano de Beruete the means technical employees. The publication in 1925 of the article dedicated to The Library of Velázquez by Sánchez Cantón, with the inventory of the library that Velázquez possessed, opened the way to new interpretations of historical-empirical character based on the recognition of the painter's literary and scientific interests. The presence in the book library of books such as the Alciatos Emblems or the Iconology of Cesare Ripa stimulated the search for varied hidden meanings and symbolic contents in Las Meninas. The last interpretative current, of a philosophical nature, was born with Michel Foucault and poststructuralism. Foucault discarded the iconography and its significance, and dispensed with historical data to